The only problem I see with displaying “as is” has to do with any unsuspecting corrosion creeping around in all of the nooks & crannies of the airframe. I remember thinking that the F2G Super Corsair Mr. Soplata preserved over the years would look great simply cleaned up and displayed in “cocooned” fashion, wearing the remnants of its original racing paint scheme. Then came the teardown with restorer Bob Odeggard where he found some fairly substantial corrosion deep in the fuselage center section. As a result, the plane was accordingly stripped and the corrosion properly contained. Preserving airplanes is a bit like trying to preserve an eggshell.
If we expect these fragile old relics to remain in soundly preserved condition, substantial restoration is a necessity in many cases.
On the other hand, the partial Bf-109 preserved at the Imperial War Museum makes for an excellent display IMO. Certain planes like that one can get away with being preserved “as is”. Many others are more difficult to look at in derelict condition. Part of me really enjoys the Japanese “Betty” bomber display at the Planes of Fame Museum at Chino, CA. That said, I honestly think better justice could be offered the plane by restoring it as best as possible to exacting original standards. There should be at least a couple of complete examples of every type of surviving warbird if at all possible.
The P-38 at Dulles, the original P-39 still in original paint in Norway (I believe), and the XF4U-4 at New England Air Museum are excellent examples of what should be done with aircraft that still exist in untouched original condition. Those are bona fide time capsules and should be regarded as such.
I think it takes a little bit of both types to make things interesting. Doug Champlin’s Fw-190D-13 comes to mind as what “restored to original condition” should be. Most if not all of the parts are original (including the original wing acquired from the USAF Museum), but all have been properly refinished and preserved. Having been exactly finished right down to its authentic paint scheme is just the degree of perfection that should be reached for with the “restored original” warbirds.
There are so many variables when it comes to the condition, completeness, history of modifications, etc for every individual surviving airframe out there. There’s just no way to work with the mixed pot of variables available to the particular museum/owner/restorer, and squeeze the resulting aircraft into one of three or four convenient categories.
I said it during the original debate a couple of years ago, but it bears repeating. Each individual aircraft should be sized up by its individual merits. For the planes that fit simply into the category of “all original” or “replica”, that’s great! That said, I think the diversity of the remaining mix-match of surviving warbirds should be celebrated for what each plane has to offer. It definitely makes for more interesting hangar stories! I never understood why people choose to get frustrated when they aren’t able to immediately place a certain airplane onto one of three or four convenient categories. The extreme majority of people who restore warbirds keep a restoration log and a photo record of the work they do. In most cases something exists that shows exactly what condition these planes were in when they were obtained, and what has been done to then hence.
Next time you see a particular plane and wonder whether it should remain unrestored or otherwise, just come back to WIX and I’m sure plenty of us will gladly had down a judgement on what deserves to happen to that airplane!
I’ll start the list by stating that the ultra rare RNZAF Corsair now on the market should be dignified with a restoration that sets or matches the standard for factory original perfection. Any “field mods” discovered on the plane that were put in place during its military career should be properly preserved in place to maintain the spirit of the “fighting pilot’s machine”.
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Rob Mears
'Surviving Corsairs' Historian
robcmears@yahoo.comhttp://www.robmears.com