Randy Wilson wrote:
May I suggest reading "Eagles of Mitsubishi: The Story of the Zero Fighter" by Jiro Horikoshi, its chief designer.
It's now on the list - sorry to say I never have.
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In my opinion, the Zero was not a copy of any design before it but certainly used concepts of other designs to meet its goals.
Agreed, but the trouble with making this point, is it is too general to be meaningful. (Almost) everyone does that, from designers of paperclips to supertankers. It's normal in business from business models to advertising and packaging.
Not using peer concepts is mostly dumb, sometimes the work of genius. The latter is very rare.
The problem with the 'copy / took ideas from' is that it simply avoids addressing real quality issues - coming back to the self-reinforcing belief of 'our' organisation's superiority, and ducking the fact that if the question is being asked, your own machine is probably not as good as you need it to be - as shown in the supposed parent types of the Zero.
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However, the demands of the IJN were such that I doubt any allied/western naval air force would have come up with such a design at that time, with such a combination of good and bad points to western eyes. My 2 cents.
Now that's a very important point to make, and a critical one. Thanks. As we well know, the Zero's success was achieved by compromises that western Navies would simply not accept*. So it was a truly different machine
because the design was
based on different cultural concepts.
Thanks Randy!
*(For instance the Royal Navy insisted on an observer to navigate the pilot, which added a bod, which tended to slow your fighter down. See the Blackburn Skua and Fairey Fulmar...)