warbird1 wrote:
rreis wrote:
Even abroad? And close calls?
I can't comment too much on international museums because I haven't seen the majority of them up close. It wouldn't surprise me, however, if some of the National collections from Britain (IWM, etc.), Australia, France (Musee del'air), etc. did comparable work. Perhaps some of our international WIXers can comment on that. The thing that always impresses me about NASM is that even though aesthetically their restorations look superb, they have a policy of keeping virtually all original material intact on the airplanes for future historians and students, as well as their very, very strict attention to detail - even on parts of the aircraft that will never be seen by the public. Do the National collections in Britain, France, Australia do the same? Anyone know?
The Australian War Memorial's recent conservation and restoration of several W.W.I aircraft, and Lancaster
G for George would be in the same category. Restorations undertaken at the RAF Museum's Conservation Centre at Cosford, such as the restoration of the Supermarine Southampton are of as high a standard. Likewise some of the restorations at le Bourget, particularly by the Memorial Flight, both to fly and for the Musee de l'Air would achieve the standard.
There are many others, and I'd suggest most first world country national collections achieve this. The attention to detail and other points mentioned is 'new' (twenty odd years) in aviation restoration in many places, but is a standard museum practice in other fields, and not 'news' there.
The 'archaeological' recovery of original detail on the Corsair at the Fleet Air Arm Museum at Yeovilton, UK by Dave Morris' team set and continues to offer a new, different benchmark of rediscovering originality.
I'd agree with Warbird1's assessment and points completely, by the way, and the Mikesh book is the primary work on the subject. NASM's work is generally to be recognised as to this standard, with the majority of airframes and artefacts restored or conserved to this standard. Elsewhere, there are museums, the RAF Museum for instance, which have airframes on display that have not been well restored, or were rushed by external contractors - the Bristol Beaufort and Kitthawk for instance. So I'd say
the NASM has more original, historically significant aircraft restored or conserved to the highest standard both in numbers and as a proportion of the total numbers than any other collection worldwide.Happy to be corrected, of course!
However the NASM is in clear dereliction, or failure of the their primary job with
Flak Bait, by continuing to allow a significant deterioration of an unrestored and original artefact. It is, unarguably, an inexcusable failure of the primary part of their mandate as a museum.
warbird1 wrote:
rreis wrote:
I understand easily that airworthy is another kind of game, who would be the "NASM" of airworthy restorations?
There is not one single person or organization, but many, many. There are probably at least 5 to 7 just here in the United States, with many more probably overseas in Britain, Australia, New Zealand, etc.
Agreed. While I find the hyperbole around the Flying Heritage Collection's mandate rather over-the-top, the requirement for restoration is up there. Restorations such as
Happy Jack's Go Buggy, by Midwest Aero is of a similar standard, but the discussion of the differences and rationale is a long discussion.
On another tack, this is
not the B-26 Marauder to restore to fly, even if that were an option, which thankfully, it isn't. For all the hardcore 'it should fly' brigade, it's telling that of the several airframes available those who can make that happen none are currently airworthy, and we lost several aviation enthusiasts in the crash of the last regularly flown example, an all around tragedy. Certainly I'd like to see a Marauder in the air, but as I'm not in a position to make it happen, I think it a bit of cheek to demand others commit the money and resource for my gratification.
Good discussion.