Fascinating reading ! Thanks for posting the link.
I'd say these guys are on top of things. They aren't laboring away in their own little world either, they are fully aware of what goes on in the warbird restoration world, as evidenced by this little excerpt;
Quote:
For those who’ve just joined us, conserveering is the term we invented for our particular brand of museology, which, in my vocabulary at least, means anything to do with museums. Traditional conservation practice, being a museological cornerstone, was of little use on K7 for two reasons. One – it wouldn’t work. Such were the metal problems that a more aggressive approach was needed if the thing wasn’t to eventually turn to powder; and this led to the second problem. Museum conservators seem to pick away all day with scalpel blades, glass-bristle-brushes and cotton buds. I don’t think I’ve ever seen one wield a welding torch so we wouldn’t have got the front back on our boat any time soon, would we…
Don’t get me wrong here. I’m not denigrating an honourable profession – and we’ll need a job-lot of cotton buds to conserve the tin we can’t put back – it’s just that if you split yourself in two in a car crash and end up holding your liver in your hands a herbalist isn’t quite going to be enough, is it…
On the other hand we certainly didn’t want one of those fake Spitfire restorations –an absolute though unfortunate must if the aircraft is to fly safely – where all but the data plate goes in the skip; so we needed to somehow blend sound engineering practice with conservation to achieve the desired result.
Their diary is also well written, a great read, if you have the time....