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Classic Wings Magazine WWII Naval Aviation Research Pacific Luftwaffe Resource Center
When Hollywood Ruled The Skies - Volumes 1 through 4 by Bruce Oriss


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PostPosted: Fri Feb 15, 2008 4:45 pm 
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Issues abound here.

In simple terms, the GIs that painted nose art in WWII would have rights to it. It wasn't their job and as I understand it, most did it in their own free time in exchange for BOOZE. The Memphis Belle is somewhat of a mess and I will not go into that here (I've done it before). The CAF, etc has copyrights and trademarks on some of their nose art so I wouldn't mess with it without permission. Same for Vargas, Esquire, etc......

IF THERE IS A COPYRIGHT, "derivative works" (a new modern Memphis Belle, based on the original (assuming it was copyrighted, etc) is a violation of copyright....

For those who use terms like "Put into the public domain". You can't really "put something into the public domain" unless you do it in writing and follow certain steps. Its rare that happens. Most things that are old simply cannot be protected (heirs don't know it exists or cannot prove grandpa took those pics in WWII, etc).

Buying an old picture (garage sale, EPAY, etc) gives you NO RIGHTS to copyright it, or somehow say its yours..... (There are some rights you can get is you dig it up out of the National Archives, but I'm going into that can worms now).

Publishing is simply PUBLISHING. In a book or putting it on the web, you are on the hook for it............. Which means liable for any civil actions...... Make the art, put it on the web, you can get sued. It may be unlikely, but there is a growing industry of people and companies that look for that sort of thing.......

Next and MOST IMPORTANT. How will it sell and how much money will you make off the book and art. I'd shop it around to a publisher before I started writing or painting. A lot of people with their names on books are making a lot less than they would want you to think (they still have their day jobs).

I had a friend who wrote a HUGE bio of a state governor. He spend about 2 years writing it (he's a lawyer and lost 2 years income doing it). He gets a $1 a book (up from 50 cents on his last one) sales were about 3000 units in the first 18 months.

Another friend wrote a significant book on airshows about 15 years ago. Lots of photos, really nice, I've got a copy. A few years after it came out I asked him what he made and he didn't know since the publisher never paid him. Of course he is in a position where he didn't really need the money either. He went on to write a few more books he never got paid for.

You can self publish if you get past all the copyright hurtles, but then you may well have 1000+ books in the garage you need to peddle. But you'll make a heck of a lot more money and also incur a lot more expenses....

Do some market research first. You will find out that new pinup books (not books of Bettie Page) are tough to sell........

Best of luck.

Mark H

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PostPosted: Fri Feb 15, 2008 5:15 pm 
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tulsaboy wrote:
Small point to debate with you, Shay...

While I will quickly concede that much of the nose art on WWII aircraft was painted by military personnel on U.S. military aircraft, such a situation does not necessarily dictate that the artist lost any/all copyright in the creation. My understanding is that if an employee of the U.S. government, as part of their job or in the normal course of their job creates a logo, design or other work of art, that piece is property of the U.S. government and comes into the public domain. In WWII, however, few of the artists (any?) were hired by the military to be nose art painters. Many crews got local civilian artists to paint the nose art or hired a squadron member to paint the nose art on his free time. In such situations, though on government property, the copyright on the art itself would not be the property of the U.S. government and thus not in the public domain. When professional artists are hired to create a piece of art for a new government building, monument etc. their contract will have very specific language that will dictate who retains the copyright in the work. As none (that I know of) of the nose artists had contracts with the government that dictated such terms, the assumption would remain that the artist retained the copyright for his/herself.

At the end of the day, however, all of this remains mostly an academic exercise. I agree with K5083 that there is a theoretical interest in the copyright that might be held by Vargas' heirs for noseart inspired/copied from one of his original works, but again the issue is probably academic. With the Belle, anyone can create an original work of art that depicts the Belle in combat, on war tour, in Memphis, at Dayton etc. Such use of the Belle and its nose art is "fair use." What you can't do, however, is put the Belle's nose art on a coffee mug and sell it at the next airshow.

kevin



Very interesting points Kevin.

But i'm still of the opinion that those artist, if it were put to case for arguing in court, would have waved any right to the art the moment the brush touched the aluminum.

I hope it never comes down to someone suing to make things harder on artist with regard to nose art, just because someone wants money.

Mike has already stated that he wanted to do pin-up in comic book fashion, which be his own creations. So the copyright issue is a moot point. They're only inspired by.



Ho hum .......I still kinda wish they put the "Frosty" Pin-up on Glacier Girl that they had originally planned. Gotta picture of her back during the first parts of the restoration.



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PostPosted: Fri Feb 15, 2008 5:32 pm 
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Shay wrote:

Ho hum .......I still kinda wish they put the "Frosty" Pin-up on Glacier Girl that they had originally planned. Gotta picture of her back during the first parts of the restoration.



Didn't know that one. Can you post a pic? Please?


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PostPosted: Fri Feb 15, 2008 5:47 pm 
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Nice work Matt! Welcome to the Wix!

One of my all time favorite noses was done by Al Merkling and it was called "Patched Up Piece" I am still trying to find a decent shot of that.

Here is a link to some of his work.

http://www.usaaf-noseart.co.uk/merkling-al.htm


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PostPosted: Fri Feb 15, 2008 9:52 pm 
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Django wrote:
Shay wrote:

Ho hum .......I still kinda wish they put the "Frosty" Pin-up on Glacier Girl that they had originally planned. Gotta picture of her back during the first parts of the restoration.



Didn't know that one. Can you post a pic? Please?



Well I looked around and wasn't able to find a still picture of the Nost Art (around here some where). But I did find it on one of my many VHS tapes of GG's restoration. Sad thing is I don't have the ability to upload it to my PC directly so I did the next bext thing......... :?

Sorry in advance, this is gonna be hokey........

Image


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PostPosted: Fri Feb 15, 2008 9:57 pm 
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I wish they would have went with that nose art! That is cool.

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PostPosted: Sat Feb 16, 2008 6:45 am 
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Matt -

Just visited your site - you've got some serious talent!

Please keep us posted on some of your future nose art renditions!

Mike

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PostPosted: Sat Feb 16, 2008 7:01 am 
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Fandamtastic work Matt!

Anybody know the definition of the words "A shame"?

A shame is when a busload of lawyers goes over a cliff and there is one empty seat! :evil: :evil: :evil: :finga: :butthead:

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PostPosted: Sat Feb 16, 2008 9:00 am 
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Its an even greater shame that when someone makes a lawyer joke, they are ALWAYS the first one into a lawyer's office to get help. I've seen enough of it.

If you all didn't catch it the first time around, something that is INSPIRED by a copyrighted work becomes a derivative work and is an illegal use of the copyright.

Back to WWII. Works only belong to the Govt if they were done on govt time as a govt project. If Joe Resenthal was a US ARMY photographer, then the photo of the flag raising at Iwo would have been public domain, but he wasn't and it wasn't.

So the crewchief who painted art on a B-17 for a bottle of something owns the copyright to the work (unless it was a derivative work like the Memphis Belle which was a knock off of a George Petty (if I recall correctly) pinup).


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 Post subject: Re: Nose art
PostPosted: Sat Feb 16, 2008 11:23 am 
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Shay wrote:
I don't believe the creators or even the heirs for that matter have a leg to stand on.

The "Nose Art" was painted on a military aircraft (by military service members). Paid for by the tax payers of the US and thus making the aircraft property of the Taxpayers or in other words "Public Domain". Anything i created while I was in the NAVY at work using governement materials doesn't belong to me

There is no personal copyright on things of public domain. Regarding the "Belle". Same thing, it's owned by the government and equaly by all American citizens.

The possible caveat to this might be the art applied by Disney Artists. But then again the canvas upon which the paint was applied was owned by Uncle Sam.

If I'm wrong and someone has proof i'd love to read it.


Shay, you are mistaken, and the proof is simply the copyright law. Basically everything P51Mstg says is correct so I won't bother repeating it, I'll just agree with him.

I also agree with everything tulsaboy says except for his point that you don't need to worry about the owners of the original Vargas (Petty, etc.) copyrights. I think you do. Those pinups are still lucrative income sources for their copyright holders and they are sophisticated parties that would enforce their rights, I think. Just because, as P51Mstg notes, the original nose art painters infringed those copyrights with impunity (under a sort of informal license from the pinup publishers) doesn't mean a modern artist can do the same.

August


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PostPosted: Sat Feb 16, 2008 12:12 pm 
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That's great Shay, thanks for taking the time!!


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PostPosted: Sat Feb 16, 2008 6:14 pm 
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Welcome to WIX, Matt! Great work!

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PostPosted: Sat Feb 16, 2008 6:21 pm 
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And pay no heed to the armchair lawyers. Copyright/IP law is so vaguely written, out of date and completely compromised by corporate interests that it all boils down to whose got the deeper pockets. If Disney decides you are breathing air that once passed through their studios, you might as well go into exile. But odds are they won't.

Copyright is increasingly what you make it.

The pin-up art found on most WWII (and modern) aircraft, at least the stuff done in the field, was and is often ripped off from the published works of people like Vargas, Elvgren, Frazetta...whoever is popular at the time. I doubt if anyone ever said boo about it (it would take an artist with a lot of b*lls to tell someone who is risking their life on their behalf not to put their art on his plane), and it is even less likely that a servicemen would assert rights to the work. And reproductions of the work, at least in the context of a painting depicting a historical scene, would be protected under fair comment, anyway.

Some art on modern aircraft based at home is often done by local artists, though, so you might tread carefully there. But it is all largely irrelevant unless you plan to start marketing nose art panels or something. (Which people seem to do with impunity, anyway)

I wouldn't worry about it. An artist of your caliber is unlikely to be happy repainting other people's stuff, anyhow.

My two cents. Your mileage may vary.

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PostPosted: Sat Feb 16, 2008 6:37 pm 
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Fritz:

Thanks, I'm hardly an "armchair" lawyer. I practiced law for 17 years, I do know what I'm talking about.

I'm sure if someone started using your designs and selling them, you'd be a bit unhappy.

But on the otherhand.......

Go ahead and rip off other people's works, maybe you'll get away with it and maybe you will not. Only time will tell. Hey if you get sued, defend it yourself, you don't need a lawyer, they are all about worthless anyways. Just don't get too attached to your house, etc...

Thats my last word on the subject.........

Mark H

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PostPosted: Sat Feb 16, 2008 7:04 pm 
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Armchair lawyer hmm? As it happens, I spent a couple of enjoyable hours in the office yesterday drafting a rather nasty demand letter to the president of a clothing company that is ripping off the work of an artist that I represent. I'm demanding that they discontinue a product line and pay my client every cent they earned from it, and then some. If they refuse, they'll find out what I "make" of copyright law when I get out of my armchair.

I have no interest in being the copyright cop of this forum -- for example, if someone wants to become WIX co-poster of the year primarily by violating hundreds if not thousands of copyrights, that's no business of mine as long as none of my clients is involved, and I enjoy the pictures as much as anyone -- but if someone actually wants to know about the law, I'll try to help them out a little. Heckling those who actually know what they're talking about from the cheap seats is just going to help people get in trouble.

And that'll be my last word also.

August


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