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Classic Wings Magazine WWII Naval Aviation Research Pacific Luftwaffe Resource Center
When Hollywood Ruled The Skies - Volumes 1 through 4 by Bruce Oriss


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PostPosted: Fri Jun 14, 2013 12:49 pm 
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(taken from various sources). By early 1942 the Japanese Navy had seized the Australian base at Rabaul, New Britain, and troops were pouring ashore in the harbor. A Navy bombing mission was hastily planned to strike at the Rabaul invasion fleet. Nine B-17E's were scrapped together near Townsville, northeast Australia, for a raid taking off at midnight, Feb 22. Two B-1ts collided in the darkness on the runway, and a third was grounded with engine problems. The remaining bombers were soon separated by vicious storms en route, but B-17E #41-2446, piloted by Fred Eaton, eventually arrived over the target. Eaton made a run only to find that his bomb bay doors were stuck. He swung around again for a second pass, making sure that his bombs landed among the Japanese ships. Anti-aircraft fire was intense, and a round punctured his wing fuel tank, draining it. A6M "Zero" and A5M "Claude" fighters swarmed the bomber, and a running fight between the bomber and as many as ten Japanese fighters went on for 35 minutes. The big bomber weaved as Eaton desperately maneuvered it between towering thunderclouds. The fighters were unable to shoot down the Flying Fortress and eventually turned back, frustrated. The B-17 continued on, running for the refueling field at Port Moresby, on the other side of New Guinea. However, with New Guinea's massive Owen Stanley mountain range rising ahead and the B-17s fuel tanking nearing empty, Eaton knew that he would have to put the big bomber down somewhere soon. As they crossed the coast, Eaton perceived a flat green field approximately eight miles inland, suitable for a forced-landing. He feathered the two inboard engines whilst the crew took up crash positions in the radio compartment. The gear-up landing was smooth, and the ship finally came to rest with a slow right-angled turn to the right. A surprise lay in store however. They had put down, not in a flat field, but rather swamp some five feet deep, indiscernible from altitude. Before departing the crash site, Sgt Richard E. Oliver removed the top secret Norden bomb sight, shot it with his pistol and threw it into the swamp. The rest of the B-17 was left intact and undisturbed. The entire crew departed away from the crash site together, initially towing one of the life rafts with equipment, but soon abandoned it due to the swamp and thick kunai grass. Lost, the crew pushed ahead for days and at one point suffering from heat exhaustion and fatigue they considered splitting up, but decided to stay together. Finally, they spotted a native and were taken to his village where they were fed and spent the night. After the crash, Australian Resident Magistrate, Alan Champion at Buna had been told a B-17 went down in his area and was told to search for the crew. Departed from Gona in a mission launch, he searched the area near Oro Bay and the Musa River. Unable to find them, he called into a village and found the crew in their care. The crew of nine were too numerous for his boat and required him to borrow a canoe from the village, to tow everyone back to Buna. At Buna, the crew waited for two weeks until a ship arrived to take them from Oro Bay back to Port Moresby. On the way their boat called into Samari Island then Abau Island before finally arriving to Port Moresby on April 1, 1942, 36 days after their crash landing. Afterwards, the crew was send to Australia and recovered in the hospital, then returned to flying combat missions. B-17E #41-2446 was rediscovered in 1972 during an RAAF helicopter exercise in New Guinea. The B-17 was found to be in remarkable condition and fully intact. All interior equipment was pre-WWII US Army Air Corps issue. Even the belted .50 Caliber ammunition were manufactured in 1933, 1935 and an occasional 1938 round. Airframe corrosion was negligible and no damage aside from bent propellers during crash landing, and some broken perspex glass. Several salvage attempts were made during the 1980s and 1990s, and in the meantime the B-17 was given the nickname "The Swamp Ghost" by various articles and visitors to the wreck. The aircraft was finally successfully salvaged in 2006 and will go on display at the Pacific Aviation Museum in Pearl Harbor. The following WIP details the creation of Queens Die Proudly, a depiction of B-17E #41-2446 under attack by Japanese A6M "Zero" and A5M "Claude" fighters as her pilot desperately guides the B-17 away from Rabaul and back towards Port Moresby. The painting was commissioned by the Pacific Aviation Museum at Ford's Island in Pearl Harbor, Hawaii, and will go on display alongside the aircraft as a visual interpretation tool.

A view of the target site at Rabaul:
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A view of the wreckage in 1942. Here the markings are still visible, including the red and white stripes on the rudder.
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More information on the Swamp Ghost can be found here: http://www.pacificaviationmuseum.org/

and here: http://www.theswampghost.com/history/index.html

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PostPosted: Fri Jun 14, 2013 12:53 pm 
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The wreck was rediscovered in 1972 during an RAAF helicopter exercise in New Guinea.:

Image

A close up view of the nose of the wreck:
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PostPosted: Fri Jun 14, 2013 12:57 pm 
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One of the first things I did before starting any sketches was to build a 1/48 scale model B-17. The purpose of the model was to help me to visualize different compositional possibilities. One afternoon early on in the process I walked into my studio, glanced over at the nearly complete model sitting on a table and was immediately struck by this view.:

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I created several sketches which I presented to the PAM museum folks. Initially we chose one similar to the top right image, but after some more consideration we can back to a view similar to the model shot that I liked. Finally, the center image was chosen to as the idea to develop.

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The perspective drawing for the B-17.:

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The perspective drawing for a A5M Claude. This was the first time I had ever drawn a Claude.

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PostPosted: Fri Jun 14, 2013 1:01 pm 
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In the meantime, in the spring of this year the "Swamp Ghost" arrived at the Pacific Aviation Museum.:

Image

The wreckage arrive disassembled on several flatbed trailers and was re-assembled at the museum.:

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Back in the studio, all of the aircraft perspective drawings are complete and the pencil study is finally finished. I wanted to try and capture the feel of towering thunderheads, while at the same time giving enough sunlight to indicate early morning in the South Pacific.:

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Back at the Pacific Aviation Museum, they're already starting to use my comps as interpretive tools:

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PostPosted: Fri Jun 14, 2013 1:04 pm 
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Here, the initial grisaille layer on the color study is now complete. I'll let this dry for a couple of days and then finish it out this weekend. I'm putting a lot of extra work into this preliminary stage so that when I get to the actual painting I'll have almost all of the composition considerations worked out to the most complete extent possible.

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Finally, last weekend i completed the color study and its dry enough to scan. The color isn't quite spot on in the scan when compared to the actual study. I'm going to be tweaking the larger version some more as well. However, this is a pretty close indication of where I'm going with it.

color study for "Queens Die Proudly"
17" x 10.5"
oil on linen on masonite

Image

I plan on starting the actual painting by the end of the month and having it ready by the end of the summer. I'll post updates as I progress.

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PostPosted: Fri Jun 14, 2013 11:56 pm 
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Will they display your fine painting with the airplane (outside in the salt air)? :shock:

I love seeing how these paintings come together!

How large will the final painting be?


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PostPosted: Mon Jul 15, 2013 6:37 am 
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Thanks BDK. This painting is 36" wide.

The grisaille layer is now finished. When I imagine south Pacific skies I picture wide open vista, so I opened the clouds up slightly from the color study and revealed a little more of the Rabaul coastline. Doing so really gives those clouds a better sense of depth and scale. The museum folks requested the B-17 to feel like it was being "harried" by a bunch of Japanese. Another Claude somewhere up in the upper right hand corner might balance this out nicely. For now, though, I need to let this layer dry.

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PostPosted: Tue Jul 16, 2013 11:09 am 
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Very nice Russell. :drink3:

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PostPosted: Wed Jul 17, 2013 6:37 am 
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Thanks Adam. I have to say that I'm really pleased with how this one is progressing.

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PostPosted: Wed Jul 17, 2013 8:05 pm 
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Russell Smith wrote:
Thanks Adam. I have to say that I'm really pleased with how this one is progressing.


Will it make the walls at CAE here in DFW??


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PostPosted: Thu Jul 18, 2013 5:56 am 
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Unfortunately no, Lynn. Once this one is finished I am obligated to pack it up and ship it out to the museum in Hawaii.

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