CH2Tdriver wrote:
My biggest problem with CGI is the impossible camera angles. In your mind you KNOW its fake b/c there would be no way that you film a real airplane coming straight at the camera etc... Also most of the movements are not as you would see a real airplane on film, as CGI concentrates on extreme close ups and the action is way too fast.
My comments to those who create these CGI flying sequences would be to watch and study footage of real airplanes, then match your work to what you see on film. I want to be wow'ed and say "Now that looks real!"
.Pete
Pete;
You hit the other nail on the head!
In an effort to create somethning so unusal and "never done before" today's film makers try to come up with the most elaborate camera moves (in CGI) just because they CAN!
They think it's so ground breaking because before CGI, they would never have been able to do the camera moves that now, come with apparent ease. They are try to "out do", the last guy!
What they are actually doing is breaking is the viewers sense of how life really is and how things react in the real world, the reality we have learned over time to expect.
If they only tried to create the CGI scenes as though a real camera was being used and was bound by all the laws a physics that apply, then we might have something that truely becomes inseperable from what is real.
Take a good look at "King Kong" next time you get a chance. The ape's hair and facial movements are incredible, but when he jumps around and swings on trees like gymnist Kurt Thomas, it starts to show how unrealistic the CGI is. The CGI team has forgotten about the Mass and Momentum of physical objects as large as Kong, or let's say, at least as large as an elephant. Sure, an elephant can run at about 25 miles and hour, but he can't start from a standing stop and acclerate right to 25MPH when he does start to run. In addition, he can't slow down and stop to change direction that quickly. Kong has no mass. He snaps to and fro at the speed of a small cheetah. That is a physical impossiblity, and hence, breaks the illusion that what we are seeing is real. Moving things have to follow the laws of physics to be percieved as "real" in a CGI film world.
I could go on, but until someone really figures this CGI stuff out, it'll never replace actual , physical shoooting of a subject, be it an animal, or a Lancaster!
On my CGI soap box!
Jerry